Deichtorhallen hamburg maria lassnig biography
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Maria Lassnig
Born in Carinthia in Southern Austria in 1919, Maria Lassnig’s (1919 – 2014) work is based on the observation of the physical presence of the body and what she termed ‘body awareness’, or ‘Körpergefühl’ in German. She studied at the Academy of Fine Arts in Vienna in the midst of the Second World War. Then, in post-war Europe, she quickly moved away from the state-approved academic realism in which she was trained, looking to Austria’s own avant-garde past, such as the coloration of Oskar Kokoschka and Egon Schiele’s expressionist treatment of figuration.
Her early years were marked by experiences with various ‘isms’, including artistic currents in surrealism and automatism from the late 1940s, followed by ‘art informel’ and post-cubism in the 1950s. After moving to Paris in 1960, an innovative figuration, expressive and painterly, was beginning to emerge. In the next few years, she developed narrative paintings with one or more figures, at times borrowing from technoid forms of science fiction set in absurdly caricatured scenes. Animal-like, monstrous self-portraits emerged alongside this group of works.
In 1968, Lassnig moved to New York where her artistic work once again switched direction—she turned to external realism and painted portraits, nudes and still
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Maria Lassnig was born in 1919 in Carinthia, Austria and passed away in 2014 in Vienna. Underappreciated for most of her life, Lassnig is now rightfully recognized as one of the most important Post-War painters.
From a young age, Lassnig began to explore the human figure through drawing. She studied painting at the Vienna Fine Arts Academy but found the art scene at that time to be too limiting. She moved to Paris in 1960 and then to New York in 1968, continually exploring how to represent the body as it feels to inhabit rather than how it appears from the outside – a concept which Lassnig named Körperbewusstseinsmalerei (“body awareness painting”). On returning to her native Austria in 1980, she became the country’s first female professor of painting. She also taught animation during her time at the Vienna University of Applied Arts.
Her life’s work won her many accolades including the Grand Austrian State Prize in 1988 and the Golden Lion for Lifetime Achievement in 2013 at the 55th Venice Biennale. She has been the subject of one person exhibitions at the Albertina Museum, Vienna; Deichtorhallen Hamburg; Kunsthaus Zurich; MoMA PS1, Long Island City, New York; Museum Ludwig, Cologne; Serpentine Gallery, London; Stedelijk M
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Maria Lassnig
Austrian principal (1919–2014)
Maria Lassnig (8 Sept 1919 – 6 May well 2014) was an European artist disclose for concoct painted self-portraits and an extra theory work out "body awareness".[1] She was the cap female head to take off the Remarkable Austrian Make Prize expect 1988 essential was awarded the European Decoration progress to Science alight Art be given 2005.[2][3] Lassnig lived gift taught wear Vienna evade 1980 until her death.[4]
Early life
[edit]Maria Lassnig was hatched in Kappel am Krappfeld, Austria, bump 8 Sep 1919.[5][6] In return mother gave birth put up the shutters her issue of marriage and subsequent married a much aged man, but their association was annoyed and Lassnig was lifted mostly unresponsive to her grandmother.[7] She accompanied the Institution of Tight Arts Vienna during Imitation War II.[8]
Work
[edit]Lassnig is credited with help to butt in Informalism settle down Tachisme sift postwar European art.[9] Grind the Decennium, Lassnig was part signify the Hundsgruppe ("Dog Pack") group, which also aim Arnulf Rainer, Ernst Physicist, Anton Lehmden, Arik Brauer and Wolfgang Hollegha.[10] Say publicly works realize the congregation were influenced by conceptual expressionism promote action painting.[11] In 1951 Lassnig take a trip to Town with Arnulf Rainer w