Jane ira bloom biography
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Soprano Saxophonist Jane Ira Bloom’s Thoughts boon Surround Sound
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Jane Ira Bloom
American jazz saxophonist and composer
Musical artist
Jane Ira Bloom (born January 12, 1955) is an American jazz soprano saxophonist and composer.
Early years
[edit]Bloom was born in Boston, Massachusetts, to Joel and Evelyn Bloom. She began as a pianist and drummer, later switching to the alto saxophone, and eventually settling on the soprano saxophone as her primary instrument.[1] She first began playing the saxophone at age 9, studying with woodwind virtuoso Joseph Viola, chair of the Berklee College of Music Woodwinds Department,[2] from 1968 to 1979, and studying music at Yale University from which she received a liberal arts degree and a master's degree in music (1977). Following Yale, Bloom relocated to New York City. She founded Outline Records while in New Haven and released several recordings under that label.[3]
Career
[edit]She was the first musician to be commissioned by the NASA Art Program.[4] in 1989 she created three original musical compositions: Most Distant Galaxy, for soprano saxophone and live electronics, prepared tape, bass, drums, and electroacoustic percussion; Fire & Imagination, for soprano saxophone, improvisors, and chamber orchestra; and Beyond the Sky, for wind ense
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TEN QUESTIONS WITH JANE IRA BLOOM
The soprano sax has enjoyed a long and distinguished history in jazz, with figures such as Steve Lacy, John Coltrane, and Wayne Shorter having established clearly recognizable voices on the instrument. Jane Ira Bloom established her own voice on the instrument at a rather early stage in her career: by the time her third album, 1982's Mighty Lights, appeared (on which she was auspiciously joined by Charlie Haden and Ed Blackwell as well as pianist Fred Hersch, with whom she's enjoyed a long-standing musical partnership), Bloom's distinctive voice, both as a player and composer, had come into clear focus.
She certainly wasted no time in making a name for herself as both a composer and player. Her first solo album, We Are, a nine-song duet date recorded in March 1978 with bassist Kent McLagan, features seven Bloom originals, while her love for timeless standards was already evident in the inclusion of Strayhorn's Chelsea Bridge on her debut and Weill and Anderson's Lost in the Stars on Mighty Lights. There's a warmth and lyrical quality to her playing that's present on those early recordings, and such qualities blossom to an even greater degree on her latest, a beautiful set of ballads titled Sixteen Sunsets (reviewed here