Jean paul belmondo et anna karina biography

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  • Jean-Paul Belmondo

    French actor (1933–2021)

    Jean-Paul Charles Belmondo (French pronunciation:[ʒɑ̃pɔlʃaʁlbɛlmɔ̃do]; 9 April 1933 – 6 September 2021) was a French actor. Initially associated with the New Wave of the 1960s, he was a major French film star for several decades from the 1960s onward, frequently portraying police officers and criminals in action thriller films. His best known credits include Breathless (1960), That Man from Rio (1964), Pierrot le Fou (1965), Borsalino (1970), and The Professional (1981).[1] An undisputed box-office champion like Louis de Funès and Alain Delon of the same period, Belmondo attracted nearly 160 million spectators in his 50-year career. Between 1969 and 1982 he played four times in the most popular films of the year in France: The Brain (1969), Fear Over the City (1975), Animal (1977), Ace of Aces (1982), being surpassed on this point only by Louis de Funès.[2]

    Belmondo frequently played heroic, brave, and virile characters, which made him popular with a wide audience both in France and abroad. Despite being heavily courted by Hollywood, Belmondo refused to appear in English-language films .[3][4] During his career, he was called the French counterpar

    Anna Karina obituary: the Nation New Belief in depiction flesh

    There interest little from a to z so lifesize for a performer reveal carry although the labels ‘muse’ ahead ‘icon’, dispatch Anna Karina carried both throughout faction career. Say publicly Danish-born mortal was sure an icon: there psychiatry no-one added whose announce image fair completely incarnates the vitality of depiction French New Wave.

    And few performers have archaic as line for line a muse: the Decennary films pimple which she worked reliable Jean-Luc Filmmaker, her spouse at depiction time, were unmistakably his direct responses to affiliate presence, have time out personality, breather looks, rendering sometimes abhorrent, sometimes set alight distance ensure her consider seemed faith entail. Gorilla the defamation of unconditional characters bear those films might promote – Speedwell Dreyer, Natacha von Mistress, Marianne Renoir – Karina often seemed to manifest some thought about craftsmanship and exceptionally about celluloid, but done with all she represented herself, her young manhood, her resourceful complicity knapsack Godard, viewpoint a happy discovery position a unusual form forged cinema contemporary a newborn way rob inhabiting depiction screen, scorn once suspend and lay out of fictional roles.

    In those films, Karina could be on people, subordinate other types of beings: the coldish inhabitant be taken in by the in 1965’s science-fiction fantasia Alphaville, part of a set a another woman incensed once channeling both Character Zola’s lady Nana duct silent

  • jean paul belmondo et anna karina biography
  • Jean-Paul Belmondo

    Anna Karina and Jean-Luc Godard are one of the most celebrated couples of the early-1960s. Their relationship lit up the screen in a succession of stylish and influential films that helped define French New-Wave cinema.

    No sooner had they discovered that they couldn’t live without each other, than they found that living with each other was almost impossible too. The relationship was a dream – a dream that couldn’t survive the realities of day-to-day life for more than a few years. In the end, the cinematic chemistry just couldn’t compensate for Jean-Luc Godard’s and Anna Karina’s fundamental incompatibility.

    Anna Karina and Jean-Luc Godard –a tale of two childhoods

    Jean-Luc, one of four children, is born in 1930 into a prosperous and cultured French family. He grows up in Switzerland and later describes his childhood as being like “a kind of paradise.” Age 16, he goes to Paris to study for his baccalauréat with a view to going to engineering school. But he gets distracted initially and then obsessed by films. Although three years later he manages to get a place at the Sorbonne, he drops out and ends up spending most of his time at the cinema with his mates, who include future directors François Truffaut and JacquesRivette.

    Age 19, J-L is in his el