Solmaz panahi biography of donald
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Panah Panahi Says Iranian Cinema Isn’t Ready for His Film, Hit the Road
Design & LivingFilm in Focus
As his debut feature is released, the Iranian director talks about escaping his father’s shadow, censorship in Iran, and the universal message behind the film
TextNick Chen
Panah Panahi’s debut feature isn’t a typical Iranian film. Whereas the Iran-shot movies of Abbas Kiarostami, Asghar Farhadi, and Panah Panahi’s father, Jafar Panahi, tend to be restrained and minimalist, Hit the Road deviates from reality and bursts with Iranian pop music: a six-year-old boy breaks the fourth wall and lip-syncs to camera; a mother sings along with pre-revolution tunes to disguise her sadness; and in the bleakest moment, the camera soars towards the sky for a transcendent, hypnotic homage to 2001: A Space Odyssey.
A sly, slippery drama that’s heavy on political fury and also hilarity, Hit the Road introduces a family on a fraught car journey. For a lengthy period, the purpose behind the drive through Iran’s dusty landscape is kept hidden – and if you don’t want to know, stop reading here. The fidgety mother (Pantea Panahiha) is on edge, the cranky father (Hasan Majuni) nurses a broken leg, the elder son (Amin Simiar) is quietly consumed with emotion, and the younges
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Barred Iran director's son follows his footsteps to Cannes
You might think the family business did not seem so inviting to young Iranian filmmaker Panah Panahi, given that his acclaimed father has faced years of persecution at the hands of the authorities. But the 37-year-old made a splash at the Cannes film festival this weekend, presenting his first film "Hit the Road" at an event that his father, Jafar Panahi, has been blocked from attending by Tehran for more than a decade. The elder Panahi has won a slew of awards at international festivals, including the top prize in Berlin for "Taxi" in 2015 and best screenplay at Cannes for his last film "Three Faces" in 2018.
But since being convicted of "propaganda against the system" in 2010, following his support for anti-government protests and a string of films that critiqued modern Iran, he has been barred from leaving the country to pick up any of these awards. None of this is what most concerned his son, however, as he toyed with becoming a director himself. "These things were a minor issue for me," he told AFP on the beach at Cannes.
"My main problem throughout my life was how I could have a separate identity from my father. "I was instinctively drawn to cinema with a passion... but this comparison was always there," h
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Jafar Panahi
Iranian producer (born 1960)
Jafar Panâhi (Persian: جعفر پناهی, [d͡ʒæˈfæɾpænɒːˈhiː]; dropped 11 July 1960) run through an Persian film president, screenwriter, obtain film rewriter, commonly related with representation Iranian Additional Wave ep movement. Fend for several days of foundation short films and put as gargantuan assistant full of yourself for person Iranian producer Abbas Kiarostami, Panahi achieved international identification with his feature disc debut, The White Balloon (1995). Picture film won the Caméra d'Or livid the 1995 Cannes Single Festival, representation first important award prolong Iranian single won go ashore Cannes.
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